We live in exciting times—in the midst of an automation revolution. Like the information and industrial revolutions before it, it’s transforming how we work and what we need to know in order to do our jobs.
The industrial revolution was focused around methods of production, and transformed ‘blue-collar’ jobs. The information revolution was about how organizations communicate, organize, and conduct business, and it changed ‘white-collar’ work. Now the automation revolution is touching everything. Artificial intelligence and machine learning—along with rapidly advancing robotic vision, control, and actuation technologies—are out of the lab and are entering practical applications.
As a product designer and “maker”, I’ve been particularly interested in the impact of robotics on my own discipline and related creative fields such as architecture, media production, and the arts. Robotic automation is finding a place in creative work of all stripes in the last few years:
Marketing and advertising agencies now leverage custom robotics technologies to drive autonomous GPS snow-blowers to write messages that cover mountainsides, or create experiential campaigns to encourage people to quit smoking, one 11-minute reminder at a time.
Companies like Bot & Dolly (acquired by Google in 2013) are pioneering precise projection-mapping and robotics integrations that yield surreal and magical in-camera effects for film and live performance.
Then when it comes to new ways of making things, there are companies and research groups using standard six-axis industrial robots equipped with advanced 3d-printing capabilities to explore new means to produce architectural form and structure.
But what about product design and development? Since industrial designers are responsible for all the cars which get robotically welded and the plastic parts which are being robotically de-molded, sorted, palletized, and so on, you could say that their work has been touched earliest by the automation revolution compared to the other design disciplines.
Integrating robotics into the design process will be an ongoing part of the road to mass-customization; the next step from mass-manufacturing. General-purpose robotics also unlock new possibilities that were cost-prohibitive or impossible before.
In support of this growing trend of robotics as part of the design process, there are organizations like the Association for Robots In Architecture which are putting on conferences and publishing papers about the current state of the art. There’s a lot of work being done in universities and corporate research labs around the world exploring new methods of processing materials, fabricating components, and assembling structures with industrial robots.
It’s the task of design practitioners to engage the question of ‘what to make—what is worth making?’ while also thinking about how to make things for the future in a sustainable, responsible manner. Without a doubt, the design disciplines are being touched by the automation revolution right now, and robotic tools will most certainly be a part of their toolkit for their work in the 21st century.